Off the wall
In the beginning cameras with lenses (vs pinholes) were built round a laboratory optical bench, where the various elements could be relatively easily adjusted. This led to the “Stand” and “Field” plate cameras where he lens and the plate (sensor) could be moved relative to each other.
This arrangement had lots of freedom, but the basic arrangements were relatively easily split into what we now call Shift or Perspective Control, and Tilt where we take control of the “plane” of focus. I put “plane” in quotation marks because in the general case, where very clever lens designers have not been at work, that plane is actually the round inside of a ball, and we rely on depth of field and the effective radius of that ball to compensate.
Perspective adjustment (shift) works by setting the back of the camera flat on to whatever we want to look straight, and then moving the lens up, down and sideways relative to the back of the camera until the image appears in then right place on the sensor. Shift lets you take photos of mirrors apparently in the centre of your frame without showing the reflection of the camera, of a tall building with its sides vertical without having to hire a helicopter to get to that position half way up and so on. The usual issue with these shots is the vignetting of the further parts of the image — in effect only half the image will suffer, and in digital post production one stage will be to add temporary blank pixels (or a layer with the 180°opposite shift for symmetry) to the “near” side of the image so that the vignetting circle is around the midpoint, allowing standard lens correction tools to be used to cancel it out in post. With a Canon TS lens on a tripod one can simply rotate the lens to get the perfect 180° reverse shift to make sure the generated composite is the correct size.
Tilt is much harder to use. What tilt lets you do is play with your plane of focus, either reducing it to a narrow line across your frame, or bringing a large receding plane into focus, from foreground right to the furthest distance. This is where the mechanical design of he lens can make all the difference to how easy the lens is to use for the photographer.
The ideal Tilt lens will have a tripod mount ring, and the tilt’s axis or point of rotation will be across the sensor of the camera. This lets the photographer compose their shot, and use the most sensitive central focal sensor on their camera to get a sharp focus, then switch to using a peripheral focal sensor and rotate the camera body (remember we’ve clamped the lens to the tripod, leaving the camera body mobile) until that point too is in focus. The central point will have remained in focus because that’s at the centre of rotation. The composition too will remain almost unaltered.
My Canon TS lenses completely fail on the usability front. They rotate about the front of the camera body rather than the sensor, with no regard to the photographer who will have to try to use it, each movement of the tilt mechanism changes the composition and the focus. This fault is also there in Lensbabys, Samyang and all sorts of other lenses with tilt capability. The “Why?” Is fairly obvious: by having a short radius the lens designer gives themselves twice the angle for a given movement, and reduces the consequential vignetting but at a massive cost in ease of use.
I’m still searching for a lens manufacturer with the guts to trade “spec” figures for usability
- Macro and short depth of field
- For want of a nail — a belated review of the TrekPod Go
- Help my menu settings keep vanishing!
- So… What is “Pro” a code for?
- Photo Selection Slideshows
- International Power
- Eye-Fi vs Shooting Tethered
- First iPad App to Buy?
- YN565 E-TTL Flash Speedlite fails with Canon ST-E2
- Another Speedlight replacement
- Seasonal Toys & Games
- Pixel Wired Off-Camera Extender
- GPX Master+ GEO Tagging made easier
- Tethering (Continued)
- New 5D3 with BG-E11, unboxing and first impressions
- New things on the 5D MkIII
- 5DIII after some weeks
- Calendars, Red Days
- What files have I worked on?
- Using a Tilt Shift Lens, let’s re-design for photographers not the convenience of lens makers
The Mayor’s Business Networking event around the Market Square in Stortford variously in Baroosh, Zizzi and Host, and with a few brave souls in the square itself
The Camera Club, had been asked to take a few shots… Seems I was the only one available
Rather a nice photo from The TipUp last year. Always worth keeping an eye on TipSquirrel.com for photoshop hints and tips, and occasional fun meet-ups
I made it! I was up for Sunrise on New Year’s Day for the second year running, and this time I was rewarded with sun! The air was still, and mostly the sky was totally clear, but I could see this tiny patch of cloud, and drove up the valley till it was in the correct place relative to the rising sun which was still below the horizon.
I climbed the bank, and got out the long lens to focus in to the area that would be interesting…
Much to my surprise and delight my image was featured in “Explore” the following day, has been viewed 1400 times and attracted 24 comments and 120 faves
As this is an unusual experience for me I was able to take a little time to “trackback” manually to these 120 or so kind folks, to if possible return the compliment
- about 5% had no public photos
- about 10% should have had no public photos, as they were all family snaps and one felt one was intruding
- 70% had interesting but unsurprising photos
- 10% had great content,
- and 5% were truly outstanding, an inspiration for me to keep trying to improve
Thank you all!
The other thing I noticed was how few look beyond the initial image to the other content of the photographer who attracts their attention — something I always do — one can see this easily with the stats that Flickr provides. I try to make a point of perusing at least the first 3 pages of a collection, though some collections I just keep going
I’ve just uploaded my Ash Valley calendar to the printers. If you would like one (£8.50) please get in contact
I;ve being enjoying the slightly retro “Art of Photography” video podcast by Ted Forbes. Feed the link to iTunes.
Thanks Ted! Great series, and here is the link to the new feed for the re-hosted show